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Apollo and Daphne
阿波罗仍抬着后腿向前冲，双手刚环到达芙妮腰侧；达芙妮的一条腿却已成为扎根的树干，双臂则展开成两片月桂树冠。画家把追逐、触碰与变形压进同一瞬间：动作似乎终于追上目标，人物关系却已经被植物形态改写。继续看人物脚下和上方树冠，就能看清这场追逐如何在抵达时失效。
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